After reading this novel for the second time, I could pick
up a few more details (such as symbolism) that I happen to gaze by the first
time over. Throughout the story, three main characters guide us throughout the
journey of vampirism: Louis, Lestat and even little Claudia. This book tackles
many controversies that both humans and vampires encounter throughout their
mortal (or even immortal) lives. Even though the motif of this fiction is
literally Louis’ story/interview, one could easily say how everything said and
explained was far from being “one-sided”.
Although
there are many different challenges that were brought up throughout the book,
one of the first few challenges were suicide/death versus immortality/life.
Anne Rice takes a familiar approach for the opening to this by bringing in a
pathetic character with little motivation. Of course, before his permanent
decision, Lestat (the vampire) seduces our pathetic character (Louis) into a
happier and immortal life. Of course, this offer sounds attractive to anyone
whose about to end it all which is why Louis accepts without a second thought.
This brings our protagonist to experience one of the hardest cruelties known to
man: not being able to die even though it’s the one thing the heart desires.
Come to think of it, Louis is actually romantic about his decisions, for,
becoming a vampire might have been his biggest regret at one point or another.
He explains this by banishing the idea of ever feeding on another living human.
Instead, Louis scavenges for food though animals versus the impulsive acts that
Lestat follows: murder.
Later on,
we meet a character named Claudia. Still being a little girl and orphaned,
Lestat converts her as well and gladly calls her his and Louis’ little
daughter. At this point, I am unsure as if Anne Rice was meant to slide in the
possible thought of homosexuality or, alternatively, the unimportance of gender
and sexuality altogether. As years go by, Louis and Claudia both learn the
importance of survival and begin to become what Louis refers to as a “monster”.
With this, Claudia is both maturing mentally and emotionally and begins to
curse Lestat for trapping her in an “infant’s body”. Lestat mimics himself as he
explains to both Louis and Claudia that he is their “savior” and should be
respected. This is another challenge that Claudia faces—always being treated as
a child even though her mind is an adult. Again, Rice may suggests an underage
uncomfortable love between Claudia and Louis as if he title “daughter” has been
skewed to an affect that is nothing less than taboo.
Towards the
ending of the book, the interviewer has been seduced towards this lifestyle as
well while craving and even desperate towards the thought of immortality.
Again, this issue is brought up which is foreshadowed brilliantly as if Rice is
subliminally trying to explain how certain promises and warnings are overlooked
by stubbornness and selfishness for something as depressing as the simple thought of immortality.
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